Archive for the hiatus Category

March 2020

Posted in American TV (General), American TV Shows, Americans watching British TV, Behind-The-Scenes, BiogTV, British Shows on American TV, hiatus, Internet TV, Reality TV, Reviews, Touring TV, TV Acting, TV advertising, TV channels, TV Criticism, TV Culture, TV Dreams, TV History, Uncategorized, Watching TV on April 2, 2020 by Tom Steward

New Blog 9.1

I’m escaping quarantine by watching lovers separated by walls, animals in cages, people trapped on a cruise liner, and the after-effects of a deadly global virus.

Maybe U-Verse should re-consider using the word “cowering” when talking about the characters in Day of The Dead given the current state of things.

McMillions raises the question of how weather ever makes the news.

The quarantine edition of Last Week Tonight with John Oliver was effectively a crossover episode with Black Mirror.

Avenue 5 confirms that Armando Iannucci only makes accidentally prophetic television.

If I’ve learned anything new about Trump from his televised Coronavirus press conferences, it’s that he says “contagion” like Kevin James’ Doug in The King of Queens.

Curb Your Enthusiasm may be the handiest guide to social distancing in the whole of media.

With an ABC sitcom, Disney cartoon and Bravo reality show on the way, this is Indian-Americans’ TV year. Let’s hope networks don’t pull it away from them as fast as they did with Mexicans and South-East Asians.

Homeland is trying to break 24’s record of Presidential turnover before it ends.

Netflix doesn’t need to add a button to remind you that you’re alone.

My Samsung TV is recommending movies for me to watch while I’m working at home. Either it knows I’m a critic or thinks we’re a nation of liars.

Inside No. 9 just El Camino’d Psychoville. If you don’t get those references now, you will after months of quarantine.

New Blog 9.2

Isn’t now a good time to reboot those CNN election coverage holograms? I don’t think I can take another home news report on an iphone.

We’re all now basically the BBC News interviewee whose children burst into the office during broadcast.

Whomever was responsible for closed captioning of Top Chef Allstars LA did well to add a question mark to Padma Lakshmi’s opening assertion that Los Angeles was “one of the best food cities in the world?”

Vanderpump Rules needs to omit the skits and cartoons. Anyone watching already knows the show is cheap, nasty and artless and doesn’t mind a bit.

Breaking News: The Walking Dead reboots as Lifestyles of the Rich and Famous.

With its stolen memoir and culinary school plots, the finale of Fresh Off The Boat was an apology letter to its estranged subject.

If you want to know what TV is going to look like for the next few months, check out a 90-Day Fiance Tell-All.

There’s been a staggering number of new series about people facing global crises in the past few months. It seems that Coronavirus was in our art before it found its way into our lungs.

HBO missed a golden opportunity to re-launch its 1970s science-fiction remake as Westworld in The City.

There’s never a good time to do an entire episode about penicillin, but if there was Outlander nailed it.

Korean animators must be working 24/7 to get those Disney Channel and Nick Jr. Coronavirus PSAS out.

One wonders if Game of Thrones could have salvaged its reputation by crossing over into the Westworld universe before it ended.

New Blog 9.3

Picard is like a version of Star Trek where your parents and schoolteachers make out in front of you.

G literally prayed for a Netflix show like Tiger King to come along. Be careful what you wish for.

Jeff Goldblum’s commercials for Apartments.com are bringing out the lighter side of illegal data mining.

I’m starting to think I should have paid more attention to those episodes of The Sopranos where Uncle Junior was under House Arrest.

TV networks are giving away more content for free than a theatre major with an iphone.

I’m sure the female guests on Talking Dead feel safer now that they don’t have to share a room with Chris Hardwick.

The Real Housewives of New Jersey filled a time capsule entirely with items that future archeologists would need to know their 2019 activities in order to understand.

I generally prefer that documentary directors be fly-on-the-wall observers but I wouldn’t have been averse to Eric Goode or Rebecca Chaiklin opening the cages at any point during the filming of Tiger King.

The person who accidentally broadcast a MyPillow.com infomercial during a televised White House Coronavirus briefing must be in serious trouble.

Love is Blind is proof of what dating shows can achieve when they don’t have to remind viewers of the concept every twenty seconds.

Better Call Saul is The Sopranos of legal dramas.

Mickey Mouse’s guide to the Internet is no Mickey Mouse operation.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Endless Summer

Posted in American TV (General), American TV Shows, hiatus, Reviews, TV channels, TV Criticism, TV Culture, TV History with tags , , , , , on September 6, 2015 by Tom Steward

I’m back after being away for the summer…just like TV! Or so I thought. Summer used to be a dumping ground for cancellation fodder, but something has changed. Many of the year’s most important programmes now air over the summer and momentous TV events are just as likely to play in the spring and summer as fall and winter. No doubt some of this is down to cable channels disrupting the old network seasonality, but it’s becoming increasingly apparent that TV critics can’t take summer off any more if they want to stay current. So what’s been happening?

Colin Farrell after reading the reviews of True Detective Season 2

Colin Farrell after reading the reviews of True Detective Season 2

True Detective Season Two

Another reason why TV critics can’t go away for summer is because they’d all miss doing their favourite thing – bashing the follow-up to a universally praised piece of television with no particular motivation other than convention. Season Two of HBO’s anthological police procedural was torn to pieces by most critics, with so-called fans and lovers of quality television just as vociferously negative. It really has nothing to do with the season itself, just a tired old game that critics like to play, one that immunised us against the self-evident pleasures of Treme simply because it followed The Wire and even made us question the quality of The Wire when it entered its second season. Worryingly, it suggests critics and viewers of the serial age have serious trouble evaluating television when it deviates from formula, and really aren’t ready for the anthology revolution happening in TV.

Jon Stewart leaves The Daily Show

After fifteen years as host of The Daily Show on Comedy Central, Jon Stewart could simply be remembered as the person that brought the art of fake news – cultivated in Britain by Armando Iannucci and Chris Morris – to the US. But he leaves behind him an even greater legacy. When TV news polarised into partisan platforms with MSNBC on the left and Fox News on the right, Stewart’s Daily Show was just about the only source of news that had any semblance of objectivity (as rocky a term as that is) left to give. He was trumped by his own protégés. First Stephen Colbert, who transformed himself into a living doll of satire, viscerally exposing the ugliness of the media conservative while manifesting the winning naivety that makes them attractive. Then John Oliver who – with the help of HBO’s unsegmented formats – brought satirically slanted news reporting into the realms of investigative journalism and political activism.

Cilla Black/Rowdy Roddy Piper (delete as nationally appropriate) died

It’s only accident that these deaths occurred in summer, but taken together they are tantamount to transatlantic television tragedy. The British light entertainment host and Canadian WWF star died within a week of each other, which means nothing until you put together that their stretches as reigning TV personalities from the 1980s to the early 2000s is virtually identical and that they generate the same fuzzy nostalgia (in warmth and confusion alike) from the generations that grew up watching them. For me, it was a sharp reminder of how separate American and British cultures can be. Nobody mentioned Cilla – a contemporary of America’s beloved Beatles – stateside. Roddy Piper remains unfamiliar to me…and to all 90s British kids who didn’t have Sky.

Netflix Summer

The charms of hyper-inflective prison comedy-drama Orange is the New Black continues to elude me, but it’s Netflix’s most valuable commodity and the June release of its third season was not an anomaly. The star-studded prequel series to cult comedy movie Wet Hot American Summer was made available in July as was season two of the critically acclaimed cartoon BoJack Horseman. Orange is the New Black was even streamed a few days early, just to remind Netflix subscribers that they can do shit like that. It’s pretty cocky behaviour, and somewhat backfired when fans who had booked time off work to binge-watch the season found themselves in a socially impossible situation. I don’t think this surge of summer activity at Netflix (nor the summer-theming of its releases) is at all a coincidence, more an attempt to dominate TV distribution in these months of the year. For all their talk of liberating viewers from the tyranny of scheduling, Netflix keeps subscribers under the yoke of its idiosyncratic calendar.

Fear The Walking Dead is set in LA...it's going to be a short show!

Fear The Walking Dead is set in LA…it’s going to be a short show!

Fear the Walking Dead Series Premiere

The unwanted spin-off of AMC’s The Walking Dead debuted in the last days of summer. As True Detective also switched from a rural southern locale to the L.A. metropolitan sprawl, I wouldn’t expect any glowing reviews forthcoming…

Hiatus

Posted in hiatus with tags , , on July 13, 2015 by Tom Steward

Hi everybody! (Hi Dr. Tom!),

Watching TV with Americans is on hiatus for a couple of weeks while I’m insanely busy with theatre in San Diego… which is eerie since my next post is going to be on John from Cincinnati set in Imperial Beach! If you live in or around San Diego, please come to my show Lone Star and Laundry & Bourbon at The Horton Grand Theatre downtown, playing Friday June 17th and Saturday June 18th at 8pm, Sunday June 19th at 2pm and 6pm. Click the link above for tickets and more info.

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