Archive for star trek

June and July 2020

Posted in American TV (General), American TV Shows, Behind-The-Scenes, Internet TV, Reality TV, Reviews, TV Acting, TV advertising, TV channels, TV History, TV News, TV Sports, Uncategorized, Watching TV with tags , , , , , , , , , on September 4, 2020 by Tom Steward

New Blog 12.1

The Plot Against America makes The Man in The High Castle look like a Saturday Morning Kids’ Cartoon.

90 Day Fiance is the only TV show with fidget spin-offs.

I watched The Twilight Zone episode Replay on the same day George Floyd was killed because statistics.

Episodes of TV shows that uncomfortably highlighted and critiqued racism are being removed from circulation along with the racist.

Walking Dead series must be binge-watched.

When the only pleasure in a season of television is its reference to other media, it’s time to stop.

If I’ve learned anything from the recent cull of TV’s racist past, it’s that the turn of the Millennium was basically the 1920s.

I hope that whoever went on set and re-filmed the finale of Top Chef so that a person of color won instead of the blonde white lady again did so safely and at distance.

It’s nice to be ahead of the algorithm. I have zero interest in Hamilton.

I’m definitely in the “adding introductions” camp of TV history reappraisals.

There are no two words I have ever expected to close a teaser trailer less than “Perry Mason.”

Fireman Sam: Norman Price is missing in the mountains!

Me: Just leave him there.

I can’t see anything but an unhinged actor when I watch Winona Ryder on screen.

When Niles Crane is the sanest character on television, you know the social contract has changed.

HBO’s podcast dependency problem requires immediate intervention.

New Blog 12.2

With its near-constant barrage of flashbacks, promos, and station IDs, watching Dirty John: The Betty Broderick Story live on USA Network is a harrowing experience.

HBO Max gives me more choice except the one to have it or not.

You might have missed the mark but you’ve never Olive Garden Pandemic Commercial missed the mark.

When HBO puts a warning top of show, you know this is another level.

Breaking News: Papa John’s changes name to Uncle Tom’s.

Based on the commercial, every Snackeez should come with a free ticket to the end of civilization.

Married At First Sight: Australia plays like a parody of the original.

Stolen from G: “The Real Housewives interviews in 2020 look like Real Housewives from 2010.” My own contribution: The interviews look like they’re being filmed through their keyholes.

Seriously, what is John Lithgow paying off and when’s the final instalment?

Wayfair needs to remove any commercials that feature trunk-like furniture.

When it comes to MTV’s Catfish, it’s hard to imagine the solution is better than the problem.

Reviving 30 Rock as an infomercial means the suits won, right?

As long as there’s still an unwatched Star Trek: The Next Generation “Picard learning the Space Piccolo” episode, I’m never going to run out of television.

Arby’s shouldn’t have made those cartoon burrito villains look so appetizing if they wanted you to ever consider their Market Fresh Wraps.

The saddest episode of television in 2020 was a re-run.

New Blog 12.3

How many HBO shows will I want to watch before I find out J. J. Abrams is involved somehow?

Patton Oswalt’s new reality show got dark fast.

Apartments.com commercials are now recommending bodily augmentation in the search for real estate.

B watched an episode of Disney Junior’s Bluey about a sleep-deprived toddler with a solemnity more fitting of an AIDS documentary.

If you want to track the decline of movie stardom, bear in mind that Kevin James and Ray Romano are now considered “Big Screen” talent by TV Land.

Just watched the pilot of Star Trek: Voyager which features a conversation about personal pronouns. So single white men, don’t tell me you’re too old to understand the concept.

The question isn’t who’s going to miss the virtual Emmys. The question is how bad will the wi-fi be of those who attend.

B has me watching 90s and present-day Avengers cartoons back-to-back. I guess blonde hair isn’t the sign of heroism it once was.

I don’t know what’s going on at Ellen but I never liked the way she ran that bookstore.

It’s been thirty years of Lifetime Original Movies … misjudging the tone of every scene.

Well done, baseball. You’re now officially a weirder spectator sport than Blernsball in Futurama.

Regis Philbin was one of talk television’s great serial monogamists.

Rhea Seehorn was not Emmy-nominated for Better Call Saul. Read that again.

You don’t need to see all of The Man in The High Castle to get a sense of America’s fear about becoming a Japanese colony; just watch a Hollywood movie from around 1990.

May 2020

Posted in American TV (General), American TV Shows, Americans watching British TV, Behind-The-Scenes, Internet TV, Reality TV, Reviews, TV Acting, TV advertising, TV channels, TV Criticism, TV Culture, TV History, TV News, Uncategorized, Watching TV with tags , , , , , , , , , on July 4, 2020 by Tom Steward

Outlander Season 5 2020

Outlander is now re-purposing Little House on The Prairie episodes.

Because the first thing you want to see when you turn on The Disney Family Singalong is Ryan Seacrest’s kitchen.

The Homeland Series Finale took full advantage of The Americans being off the air.

I had to break it to my son B that conglomerate capitalism was the driving force behind the absence of Mickey from Mickey Mouse Mixed-Up Adventures.

Ryan Murphy specializes in making television about fascinating subjects with nothing new to say about them.

Someone is close captioning Outlander phonetically.

A game to play while watching the American Experience on George W. Bush; drink every time someone says “He set the bar so low … “

90 Day Fiance: Before The 90 Days should offer de-programming to all its participants.

I wish commercials would go back to selling stuff.

The Good Fight’s writing of production limitations into its visual style will make it an interesting archeological document in future years, if nothing else.

Outlander trumped The Lord Of The Ring’s record with a full hour of goodbyes.

The problems encountered by the cast of 90 Day Fiance have now become global norms.

The Lego versions of recent blockbuster movies are embarrassingly better than their live-action originals.

The 90s animated Spiderman series that B has me watching may have just done the origin story of Tiger King.

There’s a lot to love about the CBS All Access Star Trek series but a lack of self-censorship is not among them.

New Blog 11.2

Is there a character left in Outlander that hasn’t been raped?

This is not a good time for TNT to advertise Snowpiercer by making it look like the TV signal died.

When the quality of streaming dips during CBS All Access shows, they start to look like 90s movies and it’s adorable.

The veteran cast of Vanderpump Rules are growing their replacements from loose skin on their elbows.

Are there any Netflix shows not about money-laundering husbands?

Outlander is in the half-episode dream sequence stage of its existence.

Old episodes of The Simpsons in the original 4:3 ratio is my idea of new TV content during lockdown.

Late-night talk show hosts are now all essentially Rupert Pupkin from The King of Comedy.

While its viewers are quarantined with only three episodes of TOTS on a loop to show to our kids at lunchtime, Disney Junior tried slipped an Australian dog parenting satire under our wet noses.

Top Chef just did an episode where the prize was a trip to the Tokyo 2020 Olympics. It should be taken out of syndication like the New York episode of The Simpsons or Seinfeld’s The Puerto Rican Day.

If Barbara Cartland novelized Highlander, you would get Outlander.

Netflix was found to be streaming a censored version of Back To The Future 2 that somehow still left all the white supremacy and incest intact.

I don’t know who in the Netflix Fyre Festival documentary I hate more. I just know that I hate more.

Discovery is more a reboot of Futurama than Star Trek.

I thought Jimmy Fallon’s absolute ineptitude as an interviewer and/or his free propaganda for Donald Trump would have put an end to his late-night talk show career but I’ll take Blackface.

The Outlander series finale had no titles so technically it was an hour-long cold open.

The Original Series characters in Discovery seem to have wandered in from the USS Mad Men.

New Blog 11.3

Breaking Good News: John Krasinski criticized for selling news to the news.

Amy Schumer Learns To Cook is nothing of the sort.

With its closing image of Jeffrey Epstein’s penis suspended in a tank, no wonder the producers of The Good Fight were anxious about ending their season at Episode 7.

Outlander has all the nuance you might expect from Doctor Who slash fiction.

I wonder if television composers ever get mad when their themes are randomly replaced by pop songs.

I want Charlie Brooker’s Antiviral Wipe to go viral.

The trajectory for most contemporary TV series seems to be “2 seasons and a spin-off.”

There’s too much focus on the half-wives in The Real Housewives franchise.

I’m not going to say anything derogatory about Sam Heughan because there are women on the internet who would literally kill me for it.

CBS All Access announces a new Star Trek series set between the Pilot and Episode 1 in TV’s first ever Prebootsequelpinoff.

Ducktales is this month’s “The Sopranos of [insert genre here]”

Every day is a Jerry Stiller marathon.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Man and Nimoy

Posted in American TV (General), American TV Shows, TV History, Unsung Heroes with tags , , , , , , , , , on March 4, 2015 by Tom Steward

The tragedy of the TV actor is that they are haunted by one character for their entire life. For Leonard Nimoy, who died of end-stage chronic obstructive pulmonary disease last Friday at 83, the character of Mr. Spock overshadowed fine performances in many of the defining TV series of the 1960s and 1970s. But popular culture would never allow his empirically-minded alien starship science officer from Gene Roddenberry’s Star Trek to die, and if the onscreen death of the character and demise of the movie franchise didn’t finish him off, then it’s unlikely that Nimoy’s passing will do it either.

Finding Nimoy.

Finding Nimoy.

Spock will continue as a character in J.J. Abrams’ rebooted Star Trek movies and will continue to be played by Leonard Nimoy, albeit as an impersonation by Zachary Quinto. TV characters are so much their actors that for a replacement to offer an original interpretation would be as detrimental as casting them in the wrong age or gender. Rather than passing the gauntlet, the movie prequel to the original Star Trek series (and I suppose sequel to Enterprise if you put it that way) concocted a scenario in which Quinto’s Spock was a younger version of the character as played by Nimoy – who also appeared in the movie because time travel heals all continuity wounds – and thus had to customise his mannerisms and delivery according to his predecessor. This freely admitted in plot terms that no-one but Nimoy could play Spock. Technically, re-setting the clock allowed Quinto to go his own way with the character but if anything his performance became more like Nimoy’s in the sequel Star Trek into Darkness, attested to by another appearance by Nimoy as Spock’s future self. Without Nimoy to play off in future films, I fully expect Quinto to compensate further with thorough mimicry.

Looking back from the Spock-themed obituaries, it’s hard to imagine that there was a time when Nimoy would have played Spock for only three years. Of course, three years is another ten in re-runs, and the re-circulation of Star Trek (as much in off-air audio recordings shared between fans as repeats) is what brought Nimoy back to play Spock, first in the astonishingly comparable animated series spin-off that ran in the mid-70s and then in a series of continuation movies that ran from 1979 to 1991, or between Shatner’s third and seventh girdle, whichever way you care to think about it. After that, Spock made his way back onto TV featuring in two episodes of Star Trek: The Next Generation, before he became the missing link between Gene Roddenberry and J.J. Abrams. Spock was the Jack Bauer of his day, unkillable by man or logic. Neither death, nor time, not even the series not being about him anymore, would stop him appearing in it. And this doesn’t even begin to include the times Nimoy performed Spock outside of Star Trek, perhaps most poignantly as a disembodied head reviving the Vulcan for the entertainment of an omniscient teenage alien in Futurama.

Nimoy was already a face in American television by the time he took the role of Spock, and good television at that. He already had a Twilight Zone and an Outer Limits under his belt, which gave the actor anthology pedigree to add to his generic bow of westerns and detective shows. Nimoy had a knack for finding his way into the most accomplished shows of the 1960s, including The Man from UNCLE (which has no reboot forthcoming, regardless of what ANYONE says) and Mission: Impossible, his first TV role after Star Trek was cancelled. Even into the 70s, he was on Rod Serling’s horrific(ally underrated) Night Gallery and Columbo, because no American actor is allowed in SAG without it. His was a face for television, betraying nothing and letting whatever fine piece of screenwriting he was bestowed do the work. It was a time on American TV when emotions were optional, but class was not. Sci-fi TV is his, and it owes him a living. He returned to The Outer Limits when it re-appeared in the 90s, in a re-make of the same episode he had starred in during the 60s. A role was waiting for him on Fringe.

Nimoy also did pro-bono legal work for robots

Nimoy also did pro-bono legal work for robots

There’s more to Leonard Nimoy than Spock (and there’s at least two of his careers I haven’t mentioned) but the character presented him with limitless possibilities for remaining in the zeitgeist long after he ceased playing him on TV. He lived longer and more prosperously than even Spock could predict.

TV Old

Posted in American TV (General), American TV Shows, Reviews, TV channels, TV History with tags , , , , , , , , , , , , , , , , , , , on June 5, 2013 by Tom Steward

The pleasures of American TV are not confined to seeing new episodes of great shows as they air. They are also to be found in the re-discovery of some of the best TV from years gone by. This is aided considerably by a host of cable channels that do nothing but re-circulate old TV. Given that such stations are generally found in the undiscovered country of niche cable, these shows don’t exactly float to the surface. Their scheduling is hardly conducive to life as a functioning member of society either. With a little sifting, there’s gold in them there hills:

The Fugitive (MeTV Mondays 12.00am)

Though you might be more familiar with the 1993 movie re-make with Harrison Ford (which unusually for a Hollywood revival of a classic TV show doesn’t disgrace its predecessor), this long-running series from the mid-1960s is a classic in its own right. Falsely accused of his wife’s murder, Dr. Richard Kimble (played by a perpetually constipated-looking David Janssen) escapes from custody and drifts from town to town doing a variety of blue-collar jobs until his identity is discovered by the locals-who somehow don’t spot him by his iconic tweed jacket and jet-black hair-at which point he moves on. Kimble is occasionally pursued, when he can be bothered, by Lieutenant Gerard (the coathanger-jawed Barry Morse) and his wife’s murderer, a one-armed man played by a fat Worzel Gummidge. Each episode is an impeccably crafted chamber drama and the weekly guest stars are amongst the best character actors of their era. It’s also a scathing indictment of American society. Those in the justice system are invariably the villains of the piece and Kimble wanders an America full of corrupt institutions where the scum of society has risen to the top. It would be the highlight of anyone’s career, if it weren’t the creation of Roy Huggins, the man behind Maverick and The Rockford Files.

The Golden Girls (TVLand, whenever you turn on the channel)

It’s easy to be put off by the dated production values, air of tackiness and cloying music of this 80s sitcom but it would be a shame to let cosmetics get in the way of a show that otherwise is pure joy. Four senior ladies, sour divorcee Dorothy (Bea Arthur), her old school insult comic mother Sophia (Estelle Getty), southern belle-in-waiting Blanche (Rue McClanahan) and naïve farm girl Rose (Betty White), share a house in Miami looking for love and late-life fulfilment. It’s sharply written with an underlying sarcastic wit that counteracts the mandatory sentimentality beautifully. The show was utterly fearless about confronting issues facing people in later life, like dementia and disability, as well as those that matter specifically to women-one memorable episode has Dorothy facing down a male doctor who misdiagnosed her based on her age and gender in a restaurant. In this sense it harks back to the socially responsible American sitcoms of the 1970s but it has a streak of misanthropic humour we more readily associate with sitcoms today. It’s impossible to underestimate how important the central performances are to the success of the show. I’m particularly enamoured of Getty’s pinpointed quick-fire delivery and White’s knowingly played bravado turns of bumpkin innocence.

Star Trek (MeTV, Saturdays 9.00pm)

After countless sequels and movie versions, it’s good to get back to the ground floor of this franchise and see exactly why people think it so worthy of resurrection. Enduring iconography aside, I was struck by how captivating the storylines of each episode were, and the perfect pace at which the mysteries unravelled while still leaving space for that surreal and colourfully psychedelic camp that people treasure about the show. One episode I caught, ‘The Corbomite Manoeuvre’, is structured like a poker game and ends with Captain Kirk having cocktails with a grown-man baby alien played by Ron Howard’s brother. It’s also quite remarkable how the character flaws of the main cast are highlighted as much as, if not more than, their heroic qualities. I always had it in my head that Kirk’s chronic womanising was a fan fiction add-on that got recouped as canon after nudie-freak JJ Abrams got his pervy little hands on the franchise. But here Kirk is cruelly lascivious without apology or remittance. If like me you grew up with the relatively co-operative crew of The Next Generation, you’d be shocked at the amount these guys argue with each other. Dr. Bones in particular is more insulting to his fellow crew members than a drill sergeant with piles.

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