Archive for the TV Sports Category

June and July 2020

Posted in American TV (General), American TV Shows, Behind-The-Scenes, Internet TV, Reality TV, Reviews, TV Acting, TV advertising, TV channels, TV History, TV News, TV Sports, Uncategorized, Watching TV with tags , , , , , , , , , on September 4, 2020 by Tom Steward

New Blog 12.1

The Plot Against America makes The Man in The High Castle look like a Saturday Morning Kids’ Cartoon.

90 Day Fiance is the only TV show with fidget spin-offs.

I watched The Twilight Zone episode Replay on the same day George Floyd was killed because statistics.

Episodes of TV shows that uncomfortably highlighted and critiqued racism are being removed from circulation along with the racist.

Walking Dead series must be binge-watched.

When the only pleasure in a season of television is its reference to other media, it’s time to stop.

If I’ve learned anything from the recent cull of TV’s racist past, it’s that the turn of the Millennium was basically the 1920s.

I hope that whoever went on set and re-filmed the finale of Top Chef so that a person of color won instead of the blonde white lady again did so safely and at distance.

It’s nice to be ahead of the algorithm. I have zero interest in Hamilton.

I’m definitely in the “adding introductions” camp of TV history reappraisals.

There are no two words I have ever expected to close a teaser trailer less than “Perry Mason.”

Fireman Sam: Norman Price is missing in the mountains!

Me: Just leave him there.

I can’t see anything but an unhinged actor when I watch Winona Ryder on screen.

When Niles Crane is the sanest character on television, you know the social contract has changed.

HBO’s podcast dependency problem requires immediate intervention.

New Blog 12.2

With its near-constant barrage of flashbacks, promos, and station IDs, watching Dirty John: The Betty Broderick Story live on USA Network is a harrowing experience.

HBO Max gives me more choice except the one to have it or not.

You might have missed the mark but you’ve never Olive Garden Pandemic Commercial missed the mark.

When HBO puts a warning top of show, you know this is another level.

Breaking News: Papa John’s changes name to Uncle Tom’s.

Based on the commercial, every Snackeez should come with a free ticket to the end of civilization.

Married At First Sight: Australia plays like a parody of the original.

Stolen from G: “The Real Housewives interviews in 2020 look like Real Housewives from 2010.” My own contribution: The interviews look like they’re being filmed through their keyholes.

Seriously, what is John Lithgow paying off and when’s the final instalment?

Wayfair needs to remove any commercials that feature trunk-like furniture.

When it comes to MTV’s Catfish, it’s hard to imagine the solution is better than the problem.

Reviving 30 Rock as an infomercial means the suits won, right?

As long as there’s still an unwatched Star Trek: The Next Generation “Picard learning the Space Piccolo” episode, I’m never going to run out of television.

Arby’s shouldn’t have made those cartoon burrito villains look so appetizing if they wanted you to ever consider their Market Fresh Wraps.

The saddest episode of television in 2020 was a re-run.

New Blog 12.3

How many HBO shows will I want to watch before I find out J. J. Abrams is involved somehow?

Patton Oswalt’s new reality show got dark fast.

Apartments.com commercials are now recommending bodily augmentation in the search for real estate.

B watched an episode of Disney Junior’s Bluey about a sleep-deprived toddler with a solemnity more fitting of an AIDS documentary.

If you want to track the decline of movie stardom, bear in mind that Kevin James and Ray Romano are now considered “Big Screen” talent by TV Land.

Just watched the pilot of Star Trek: Voyager which features a conversation about personal pronouns. So single white men, don’t tell me you’re too old to understand the concept.

The question isn’t who’s going to miss the virtual Emmys. The question is how bad will the wi-fi be of those who attend.

B has me watching 90s and present-day Avengers cartoons back-to-back. I guess blonde hair isn’t the sign of heroism it once was.

I don’t know what’s going on at Ellen but I never liked the way she ran that bookstore.

It’s been thirty years of Lifetime Original Movies … misjudging the tone of every scene.

Well done, baseball. You’re now officially a weirder spectator sport than Blernsball in Futurama.

Regis Philbin was one of talk television’s great serial monogamists.

Rhea Seehorn was not Emmy-nominated for Better Call Saul. Read that again.

You don’t need to see all of The Man in The High Castle to get a sense of America’s fear about becoming a Japanese colony; just watch a Hollywood movie from around 1990.

April 2020

Posted in American TV (General), American TV Shows, Americans watching British TV, Behind-The-Scenes, BiogTV, British Shows on American TV, hiatus, Internet TV, Reality TV, Reviews, TV Acting, TV advertising, TV channels, TV Culture, TV History, TV News, TV Sports, Watching TV with tags , , , , , , , , , on May 5, 2020 by Tom Steward

New Blog 10.1

Before I started watching Ozark, I didn’t know what it was about. I still don’t know.

The best part of Netflix’s Virgin River is the TV movies on Tim Matheson’s IMDB.

The Real Housewives of New York City is all crescendo and no build.

My son B chose a 90s Spiderman animated TV series over Frozen on Disney + so we can skip the DNA test.

Deciding what to watch first of the abundance of TV you have access to is a skillset not that dissimilar to playing the stock market.

Was Ozark an Arrested Development rewrite that got out of hand?

There is no international crisis that 90 Day Fiance won’t exploit for the sake of good television.

So, was the twist of Star Trek: Picard that Seven of Nine is actually Buzz Lightyear?

Inside No. 9 is proof of what is possible when you do genre fiction by the numbers.

The Good Fight is ashamed of its roots in network television and make artistic blunders because of it.

Was Ozark the product of playing Breaking Bad backwards?

The line separating corporate commercials from PSAs has evaporated in recent months.

New Blog 10.2

Last month I made an offhand remark about Armando Iannucci’s television being “accidentally prophetic.” Since then, the BBC has used scenes from The Thick of It to advocate for coronavirus lockdown and Bill Withers is no longer “with us.”

In 2016, I read an interview with Michael Sheen where he announced he was quitting acting to become an anti-fascist activist. The last I heard he was impersonating Chris Tarrant in a British TV docudrama about the Who Wants to be a Millionaire? Scandal. It’s been quite the four years for liberals.

Mortimer & Whitehouse: Gone Fishing is everything I love about British TV and everything I love about Britain.

I’ve taken to watching Netflix series in instalments which span the last five minutes of an episode and everything but the last five minutes of the following one.

Was Ozark pitched as Northern Exposure if Fleischmann was in the Cartel?

When you see all of CBS’s shows together in one place on All Access, they look like parodies of network shows. And not very imaginative ones.

Thank you, Joel McHale, for not pretending that this public access Hollywood Squares aesthetic is normal for television.

Can’t we just let Andy Cohen spend time with his child and show Rockford Files re-runs until this all blows over?

Take a break from cat videos on the internet and watch Red Dwarf: The Promised Land on Dailymotion.

Outlander chose to experiment stylistically at the worst possible moment and diminished its own power.

TV networks are lining up to make quarantine versions of shows that won’t ever count in the long run.

Maybe Ozark is a Curb Your Enthusiasm story outline that never saw the light of day?

New Blog 10.3

We’re all acting as if our haircuts aren’t going to look like Joe Exotic’s when we come out of quarantine.

ABC Mouse TV is the mad cow disease of early learning websites.

“Dinotrux? What happened to Ambient Mode?” Actual dialogue from my home.

I appreciate all the sidewalk chalk illustrations but it doesn’t make me feel like we’re living in The Walking Dead any less.

Whomever in The Good Fight’s Writer’s Room is pushing science-fiction storylines need to stop.

The Esurance “That’s not how any of this works” woman just turned up in Ozark.

A Fear The Walking Dead DP compared images from the Columbus Stay-At-Home Order protests to zombie horror. Isn’t this about the time they started nuking cities on the show?

Breaking News: The Rolling Stones retire from touring after learning they can perform from their homes and not be the same room as each other.

At Home editions of ongoing TV shows are a useful reminder of how much content is actually being offered. Currently only Last Week Tonight with John Oliver is passing muster.

No f—s or butts on Disney +

I always thought I could play Young Sipowicz in an NYPD Blue prequel. I’ve just learnt that there is only a ten-year gap between my age and Dennis Franz’s when the show premiered. Fox, the ball is in your court.

I never understood the animosity towards Breaking Bad’s Skyler White but whatever the shortcomings of her characterization, Better Call Saul’s Kim Wexler has absolved the original’s sins.

The drawings in each of the quadrants of the circle logo that change with every episode of Ozark remind me of educational children’s television.

 

 

 

 

 

 

 

 

January and February 2020

Posted in American TV (General), American TV Shows, Americans watching British TV, Behind-The-Scenes, BiogTV, British Shows on American TV, Internet TV, Reality TV, Reviews, TV Acting, TV advertising, TV channels, TV History, TV News, TV Sports, Uncategorized, Unsung Heroes, Watching TV on March 2, 2020 by Tom Steward

New Blog 8.1

I seriously doubt there’s anything in No Time to Die that can compete with Graham’s laser shoe from Spyfall.

Seen through the prism of a constantly buffering HBO Go app, the final season of Silicon Valley was an unintentionally interactive viewing experience for me.

qubo specializes in cartoons from yesteryear that look like they’re being watched from another room.

Have the rights to Ted Bundy recently gone into the public domain?

The Magic Motor Inn episode of Fresh Off the Boat proves that G’s back-door spinoff-dar is military grade.

Netflix’s Cheer is not to be confused with the first screen outing of Ted Danson’s Sam Malone.

Time jump finales in HBO Original Series are now contractually binding.

The advertising for the BBC’s Seven Worlds, One Planet makes it seems like Earth is a TV show leaving a streaming service in 2020.

I don’t know if I’m more amazed that a musical act on The Bachelor once dated a contestant or that a contestant had prior knowledge of a musical act on The Bachelor.

American quality television is having its own papal war.

HBO’s McMillions recalls Ben Affleck’s comment on Argo that “even the feeblest execution” of such a compelling real-life story would still make for great entertainment.

G was expecting Shrill to be like a live-action Nature Cat, demonstrating that as parents of a toddler we are no longer able to distinguish between adult and children’s television.

New Blog 8.2

The MSNBC reporter’s racist outburst in reporting of the death of Kobe Bryant and the subsequent resurrection of Mr. Peanut in his honor suggests that TV’s priorities on grief may need re-evaluating.

The best media satire I see on network television is in Geico and Progressive Commercials.

Larry David may be Bernie Sanders’ best impersonator but, judging by this season of Curb Your Enthusiasm, he could also be Trump’s most effective speechwriter.

Avenue 5 is a worthy addition to the British science-fiction sub-genre of Shoddy Space.

When Adam Driver hosts Saturday Night Live, it feels like improvised jazz rather than a hit-and-miss sketch show.

Killer Inside: The Mind of Aaron Hernandez made me wonder why there isn’t a rolling news channel devoted to this story.

I urge you to watch reality shows with closed captioning as they put inverted commas around words that don’t exist and they come thick and “fastly.”

The Oscars 2020 really made the case for the continuing importance of commercial cinema with an opening musical number recreating an iconic moment of public television.

U-Verse On-Demand needs to accept that I am not going to rent A Simple Favor.

Season Three is the new Season Two. We need to be talking about Junior Slumps.

Last Week Tonight with John Oliver is the best argument for only reporting the news when it’s not happening.

If parents are confused as to which version of The Adventures of Paddington Bear is the newest one, just remember it’s not the Canadian one with a bloated expositional theme tune that even The Simpsons couldn’t credibly parody.

New Blog 8.3

Unexpected bonus of AMC’s uncensored airing of The Godfather films Part 1 – 8am boobs.

Unexpected bonus of AMC’s uncensored airing of The Godfather films Part 2 – The Godfather Part II now gives two fucks.

Unexpected bonus of AMC’s uncensored airing of The Godfather films Part 3 – Doesn’t apply to The Godfather Part III so you have an excuse to skip it.

What is anyone on Married at First Sight talking about? They all sound like malfunctioning self-help robots.

The world television premiere of El Camino was somewhat undermined by the fact that millions of viewers had already seen the movie on television.

Haven’t we done enough damage to Pizza Hut crusts without making them their own appetizer?

Bad News Breaking – Breaking Bad Now The Sequel To Better Call Saul.

In terms of romanticizing of the Taliban, the final season of Homeland picks up where Rambo III and The Living Daylights left off.

The commercial for the “Battle for the 2020 White House” commemorative chess set is the best piece of television to play parody chicken with.

I bet the voice actors on Superwings: Mission Teams increasingly regret having ticked the Accents and Dialects box on their online submission for the casting call.

Made my national television commercial debut and now worried about being typecast as “Man in Bermuda shorts and Hawaiian shirt that doesn’t fit him ignoring Phil Mickelson.”

Apparently, Saturday Night Live having a host and musical guest I’m equally excited to see only happens every four years.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I Dream of TV?

Posted in American TV (General), TV advertising, TV Dreams, TV Sports with tags , , , , , , , , , , on February 15, 2016 by Tom Steward

After a week in which the SuperBowl ads debuted and I had a stinking cold, there’s only one game you can play and remain sane: Superbowl Ad or Fever Dream?

 

super bowl

Three awesome things in one terrifying vessel!

 

Nick, Frank and Ziggy Sobotka from The Wire stage a bank robbery.

 

Answer: SuperBowl Ad.

 

Details: It can’t just have been a casting coincidence that the three actors who played relatives in the same storyline of the same season of the same TV series are the main cast of this Toyota Prius commercial. Nor is it entirely impossible that they are still playing the Sobotkas. It’s a short road from smuggling to grand larceny. Maybe they formed a union for bank robbers. Hopefully Pablo Schreiber, Chris Bauer and James Ransone were watching the ad together over their Superbowl brunch of beer and raw eggs.

 

Amy Schumer and Seth Rogen campaign cross-country for the right to drink piss.

 

Answer: SuperBowl Ad.

 

Details: Even the dockworker’s breakfast of beer tartare sounds better than Bud Light, which Schumer and Rogen – who retain the demographic integrity of the current Democratic race – are fighting for your right to drink. And pass. And re-bottle and drink again. Both comedians have played a part in politics in recent years, with Rogen’s The Interview censored for fear of South Korean retaliation and Schumer campaigning for gun control after her movie Trainwreck was used as the backdrop for a shooting. This is the year of cultural association in SuperBowl ads.

 

An inter-species cross-breeding experiment creates a new household slave.

 

Answer: SuperBowl Ad.

 

Details: This is what happens if you try to write a synopsis of the puppy-monkey-baby spot for Mountain Dew, a suitably horrific premise for what is no doubt an equally horrific drink. Kickstart is a mix of Dew (because of course that’s a substance now!), caffeine and juice. Three awesome things in one, like a puppy-monkey-baby. By the time the tagline that prompted the creation of a grotesque Golom to illustrate the product is revealed, everyone watching is too disturbed and unsettled to care about how it came about in the first place.

 

Glen Campbell returns to touring with his wife helping him to remember lyrics.

 

Answer: Fever Dream

 

Details: Yes, the one celebrity appearance on the list that might actually bring you some joy is in fact a dream I had. Country legend and Alzheimers sufferer Glen Campbell is back on the road, with gaps in performance for memory exercises – which the audience get to see as if it is part of the show – and the singer leaving the stage periodically to get a memory reboot from his devoted wife. While seeing this would make me very happy, I’m glad that no corporation is able to profit from it.

 

Christopher Walken is hiding in your closet [HINT: This was a movie idea I once had].

 

Answer: SuperBowl Ad.

 

Details: Double bluff, I’m afraid. I did have an idea for a movie – ripping quite terribly from Blue Velvet – where a gangster (who in mind was Christopher Walken) hid in his boss’s closet and accidentally killed the boss when he was startled. But this was a play on the phrase walk-in closet (Walken Closet, geddit?!) that somehow segued into a car commercial for Kia. Clearly part of the fun of making commercials is throwing in cultural references, and it’s hard to ignore the visual nods to the Fatboy Slim video Weapon of Choice, which also starred Walken.

 

Genetic tendencies towards obesity result in a premature birth.

 

Answer: SuperBowl Ad.

 

Details: Sounds like a classic anxiety dream for someone like me who wants to be a parent and is worried about passing on their portliness but this was a Doritos commercial that – like Mountain Dew’s Frankenpug – drew on horror comedy to advertise the brand. Apparently, babies want Doritos so much they’re willing to rip themselves prematurely from the womb to get them. Having an inconsiderate, sexist slob of a father seems to be a factor too. Gender caricature is big here, but the man gets off easy as usual.

 

super bowl 2

 

Ted Cruz is talking badly about the needs of the disabled.

 

Answer: Fever Dream.

 

Details: An addendum to the Glen Campbell dream. Ted Cruz is there watching Glen and tells me that his wife shouldn’t bother helping him to remember and just leave him be. I protest and he tries to talk his way out of it. Needless to say, this dream tells you more about Cruz than a campaign ad ever could.

 

 

 

 

 

 

 

 

 

The Balking Dead

Posted in American TV (General), American TV Shows, Behind-The-Scenes, TV advertising, TV channels, TV Sports with tags , , , , , on October 26, 2015 by Tom Steward

I didn’t blog yesterday as usual because I was at my first (American) football (not soccer/football) game, which coincidentally took up the whole day due to stoppages for television. I’m glad though because now I get to talk about something that happened on TV last night. WARNING: DO NOT READ THIS BLOG POST IF YOU ARE NOT UP TO DATE WITH THE WALKING DEAD OR ARE PLANNING ON BINGEING THE SERIES IN THE FUTURE (UNLESS YOU TEND TO FORGET TV DRAMA CHARACTERS AS IF THEY WERE CONTESTANTS ON THE BACHELOR).

As spoiler-free a picture as I could find...

As spoiler-free a picture as I could find…

On Sunday’s The Walking Dead, everyone’s favorite post-apocalyptic pizza delivery boy – with the possible exception of Fry from Futurama – Glen Rhee apparently died. I say ‘apparently’ because while visually we seem to have seen his demise (and intestines), the storytelling, which continues intertextually in post-show discussion program Talking Dead, left Glen’s fate ambiguous, despite the unlikelihood of his escape from a throng of hungry, handsy walkers. In a series where every character is already to some degree dead, the writers and directors are obliged to be specific about what character is in which state of death. Moreover, the emotion surrounding certain leading characters, including Glen who has been there from the start, means there is an unwritten rule that they be killed visibly and memorably, so as to not play with or minimise those feelings.

Last night, when it came to ‘killing’ Glen, The Walking Dead did neither. Add this to the absence of the character death rituals on Talking Dead of having the actor appear as a guest and a slow-motion replay of their death on the mock-mournful ‘In Memoriam’ section of the show, and it appears that either the producers are playing a dangerous game with Walking Dead fans or floating the possibility that we didn’t see what we think we did. A note read out on Talking Dead by producer Scott M. Gimple hedged their bets even further, saying that ‘a version…or part’ of Glen would return to ‘complete the story’. Lost creator Damon Lindelof was a guest on the show – which is perhaps another clue that in a show where everyone is already dead anything is possible (OH YEAH DON’T READ THIS IF YOU HAVEN’T SEEN LOST) – and found it hard to believe that The Walking Dead would pull a Dallas and have Glen return from the dead against all conceivable odds.

Not that it will surprise anyone who suffered through all six seasons of Lost but Lindelof may be overstating the case here. The Walking Dead is rather fond of melodramatic cliffhangers, as the final ‘how do we get out of this’ moment of Season Four nicely illustrates. The show is not above waiting off on spoiling the death of a character if it helps heighten the drama. In Season Five, we didn’t know Bob had been bitten for nearly a whole episode until he finally revealed it to the cannibals who had just eaten his leg for dinner. The quality seal of the Mad Men network (which is also a guarantee of having to watch crappy action and horror movies back-to-back) sometimes makes us forget that what we’re watching here is popular genre television – quite literally a televised comic strip – in which such matinee-style twists and turns are not only possible, but rather their stock-in-trade.

Don't take it out on me, it's this guy's fault!

Don’t take it out on me, it’s this guy’s fault!

No-one doubts the class of Arthur Conan Doyle’s Sherlock Holmes stories yet the author had the Great Detective return from the dead in implausible circumstances. More to the point, I can see about three or four different ways Glen could have escaped from the pile of walkers he was crowd-surfing on. A couple of those have already been tried and tested in the series, so while the Talking Dead panel saw the callbacks to Glen’s earlier episodes as signs of his impending death, they may also spell the solution to his survival. All of this rhetoric might be my way of deflecting deep-seated sadness about seeing Glen depart The Walking Dead, and of course I’d rather all this conspiracy theorising be true rather than false (as anyone who purports a conspiracy theory does). But don’t underestimate the extra-textual games that TV producers in the digital age are willing to play to maintain interest in their program. One day we might be talking about the ‘Glen hoax’ in the same way we talk about affinity-based publicity stunts like ‘new Coke’. On a story level, if Glen does survive the unsurvivable, it’s a sure sign he’ll be the last man walking.

<span>%d</span> bloggers like this: