90s TV is back in vogue, appropriately enough. Twin Peaks is soon to be revived in such exacting detail that Showtime even sought to bring back David Lynch’s fights with the network. Cali has been fornicated enough by David Duchovny – and his series Californication has been cancelled – while Gillian Anderson appeared to be getting her life together but is going back to her abusive ex; thus The X-Files is returning to Fox, it now seems as a replacement for the network’s all-too-rare new-thing-that-people-like Empire. Even The CW’s version of The Flash recently featured Mark Hamill reprising his role as The Trickster from the original early 90s live-action TV adaptation, now father to the heir to his title, allowing the Star Wars actor to cathartically wail the words that every kid in a Darth Vader mask has been saying to him since 1980.
That the decade that time did not give us time to forget is coming back to TV doesn’t come as much of a surprise. The 90s was when the cup of quality American television first runneth over, never to be empty again. Contemporary Hollywood is increasingly dependent on rebooting classic pop iconography. In fact, Hamill was filming his scenes as The Trickster at virtually the same time he was reviving Luke Skywalker for Star Wars: The Force Awakens. But the choice of series has so far been disappointing. The 25-year gap in Twin Peaks was always part of the story, but in truth much of the second final season was completely unwatchable, with the Lynch-helmed finale the only saving grace (and he may not even be directing this time round). If the cast continue to protest Lynch’s absence, we may be looking at a spin-off about The Log Lady’s Log.
Everyone has signed back on for The X-Files but the series was to TV sci-fi what Judd Apatow is to movie comedy. The original series was a good few years too long, and that’s even before Billy Connolly came into the picture! Yes, TV needs more X-Files about as much as literature needs more books about killing heads of state written by Bill O’Reilly. Maybe it’s my comic apathy or that The CW’s demographic version of the flashing lifeclock from Logan’s Run has already gone off in the palm of my hand, but I found nothing to enjoy in The Flash to enjoy apart from Hamill’s scenery-chewing performance (forever to be known as ‘Hamillery’). So if there are any TV executives out there reading (either this blog or just in general) here are some 90s TV shows that are far more worthy candidates for revival:
The first season of Steven Bochco’s Murder One was a compelling, narratively experimental, impeccably cast piece of TV drama. The second, which I will call Murder Two – not because the crimes prosecuted were lesser but because the quality was – proved altogether more formulaic, B-casted and conventional. Murder Three could right these wrongs. I foresee a pre-credits teaser in which respective season one and two leads Daniel Benzali and Anthony LaPaglia fight Sunshine Boys-like over the configuration of the furniture in the firm’s office, culminating in Benzali’s Teddy Hoffman throwing LaPaglia’s not-Teddy Hoffman out of the window, before lowering the blinds…and then peering through them ominously. We would revive the first season’s 23-episode serial arc, with a case that begins as Murder Three…and ends up as Murder One!
The Critic (Or It’s Not That Tough Being a Film Cricket)
At the time we might have thought that the 90s were the summit of all that was ridiculous about Hollywood movies. But given how extra inflated and predictable blockbusters have become since, surely Al Jean and Mike Reiss’ animated comedy about a TV film critic would now have plenty of kindling for the movie parody fire. Cancelled after one season, there’s still plenty to do with the format and reviving the character of the Ebert-like Jay Sherman would be a greater tribute to the late film critic than any statue.
Still alive and acting…all I’m saying.
A spin-off of the quickly-cancelled musical police drama about a special team of cops who investigate off-colour musical episodes in other TV series.
Paulie Loves Pussy
A buddy comedy featuring Paulie Walnuts and Pussy Bonpensero from The Sopranos based on this HBO commercial:
We’d figure out the timeline stuff later!
Worth pitching just to see the look on the executives’ faces. ‘Drink this, Mr. Greenblatt’.