Archive for new doctor who

Who’s Watching TV with Americans

Posted in Americans watching British TV, BiogTV, British Shows on American TV with tags , , , , , , , , , on April 1, 2013 by Tom Steward

This year’s run of new Doctor Who episodes started last Saturday with ‘The Bells of Saint John’. G wanted to watch it with me not because she was particularly interested but because she wanted an early night and British voices make her sleepy. I expected questions to come thick and fast about the mystery identity of The Doctor’s new companion, Clara, and had prepared numerous explanations. But the first question G asked me would remain unanswered:

 

 

G: Why is he called Doctor Who?

 

T: Exactly. Nobody knows who he is.

 

G: That’s smart. You guys are smart like that.

 

‘I’ve just come from The Great British Menu Comic Relief banquet’

 

In fact, all G’s questions struck at the heart of the show. They also reminded me how much the idea of the programme has been perverted since the 2005 re-launch. After seeing The Doctor ride an anti-gravitational bike up a skyscraper, she quite reasonably asked:

 

 

G: So is Doctor Who like Superman? Do people on earth know who he is?

 

T: He’s supposed to be a stranger to everyone he meets. But in the last few years they’ve made him a legend so now everybody’s heard of him.

 

 

Once the flirting between The Doctor and Clara was in full swing, she asked me:

 

 

G: Isn’t The Doctor supposed to be asexual?

 

T: He used to be but when the show came back he was in love with his first companion and now there’s always a chance they’re more than friends.

 

The greatest show on the Gogglebox!

 

G was impressed with the TARDIS, or more accurately the fantasy of never having to wait for breakfast again. And it didn’t take her long to figure out the shortcomings of Steven Moffat as a writer:

 

 

G: So they just press ‘System Restore’ and it all goes back to normal? Why didn’t he hit them with an online virus? It took about 10 hours to get going and then in 5 seconds it’s all over.

 

Saving the world by turning it off and on again.

 

Once it was over:

 

 

G: That was…good.

 

T: I thought it was dull.

 

G: Good I agree. It should be more like the sea serpent one.

 

T: The what?

 

G: The one we watched with the sea serpents…in Venice.

 

 

So G already knows Steven Moffat is a hack and ‘Vampires of Venice’ is a great episode. Where did I go right?

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Who.S.A

Posted in British Shows on American TV with tags , , , , , , , , , , , , , , , , , , on March 23, 2011 by Tom Steward

I’m always surprised and impressed when I encounter Americans who adore Doctor Who. Surprised because it must have been such a pain to track down on TV that animosity would be a more natural response and impressed because they always seem to revere the qualities of the show that many British viewers have forgotten ever existed. But let’s go back in time. The BBC had wanted to sell Doctor Who to American television networks right from its inception. In fact, it was once touted as a replacement for CBS’ heavyweight science-fiction series The Twilight Zone. But it wasn’t until the 1970s that Americans finally got a run of the show, thanks in large part to PBS purchasing a block of Tom Baker serials. However, the series was being shifted around the schedules so regularly and so routinely butchered by editors that it became difficult to follow or enjoy.

Doctor Who at US Customs

The Doctor and Friends fall foul of US Customs

Despite these viewing challenges, a fan culture emerged around Doctor Who in the US at this time. In the 1980s, the BBC and the producers of the show started actively courting American viewers; having an American companion in the series, organising US conventions and tours, and looking to the states for money for specials e.g. The Five Doctors. When the show was cancelled in Britain in 1989, it was American television that attempted to revive it. In 1996, a TV movie starring Paul McGann was broadcast by Fox with an eye to launching an American version of the programme. Roundly regarded as a failure critically, commercially and conceptually, it nonetheless laid many of the foundations for the show’s BBC revival in 2005, not least the still sacrilegious notion of The Doctor making out with his companions, which is virulent in the re-launched version of the programme.

 The export of post-2005 Doctor Who to America has been more straightforwardly successful. This is thanks to popular showings on BBC America, new episodes being bought by the Sci-Fi Channel, and interminable spin-off Torchwood being co-funded by US network Starz (formerly known as Starz!). Now we are in a situation where the first two episodes of the 2011 series are co-productions with BBC America set (as far as we can tell) in the American West and involving the White House.

From my own experience talking to Americans about Doctor Who it seems that the devoted cult following might have actually been consolidated by the patchy US scheduling of the series in the 1970s. As a seller in a second-hand bookshop in San Francisco said whilst handing to me a copy of Terrance Dicks’ novelisation of Terror of the Autons ‘You had to want to see it’. It’s also striking to me how much the Americans I’ve spoken to treasure the ‘classic’ series (or, more accurately, Doctor Who before 2005) and seem resistant to it being reinvented for contemporary TV viewers. ‘I can’t watch it now’ said the shopkeeper ‘it’ll spoil the memory of me and my brother staying up late to catch it’. Again, there’s a sense that the obscure scheduling of the programme was part of the pleasure but it’s also clear that viewers had great emotional investment in those 1970s serials. Others I’ve spoken to seem nonplussed by the more recent series, even when recognising its achievements. ‘Yeah, it’s a smart show’ another interested party told me ‘but I miss the big scarves and those robots with the stalks’. It’s interesting that the Americans I’ve met light up when talking about those earlier serials but talk dispassionately about the latest episodes, even when their image of the series is sharper now than it was then.

Genesis of the Daleks

Floppy Scarves and Robots with Stalks

It’s doubly interesting to me, as I have this ‘American’ perspective on the series too (though less so now the wonderful Matt Smith and some very capable producers and writers have taken over), and surprising as I don’t really have much of a childhood attachment to the series, it’s just my opinion gained through watching the programme as an adult. This perspective on Doctor Who seems much more sophisticated to me than that of the hoards of British viewers who were happy to jettison the show’s past and fetishise the aspects of ‘New Who’ that were completely at odds with what made it great, the worst culprit being excess of emotion. It’s natural for Britons to be protective of such a remarkable part of our national culture and want to protect it from Americanisation, but given stateside attitudes to Doctor Who in comparison to ours, I do wonder sometimes.

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