Archive for csi: cyber

Time for TV

Posted in American TV (General), American TV Shows, Reality TV, TV channels, TV History with tags , , , , , , , on March 7, 2016 by Tom Steward

As Fuller House demonstrates, TV is always eager to flex its nostalgia muscles but recent programs have shown that it’s still the timeliness of the medium that puts it above others. While Donald Trump scapegoats Mexican immigration for America’s problems and builds his “policies” (and I use that word as broadly as it will stretch) around a wall dividing America and Mexico, Fox is airing an animated sitcom about a racist border agent living in a town called ‘Mexifornia’ who remains oblivious to the generous spirit of his Latino neighbor. Meanwhile in the post-Snowden age, a basic cable drama explores the anti-heroism of the hacker terrorist. But television can never shed anachronism completely and while these shows might be current they are far from new.

border

Deport thy neighbor!

Bordertown is a blatant callback to the ‘bad neighbor’ sitcom that has been one of the most common formats for the genre and usually the vehicle for discussing vast social, racial and political differences between characters. The British sitcom Love Thy Neighbour in which a working-class racist white man lives next door to a middle-class African-Briton is perhaps the best (if that word can ever be used in conjunction with the show) example of this, though Hitler-Jewish couple neighbour sitcom Heil! Honey I’m Home is certainly the most extreme. Previous animated Fox comedies have used this device, forging dynamics between church-hating slob Homer Simpson and God-loving puritan Ned Flanders in The Simpsons or button-downed Texan Hank and extravagant Laotian Kahn in King of the Hill.

The ethics of hacking may not have been addressed as cogently as they have in USA’s Mr. Robot but the act itself has traditionally been a means to an end in TV drama. State-sanctioned hackers like Chloe in 24 helped to move the plot along in real-time, even when the character was faced with the drudgery of coffee shop Wi-Fi. On CBS, there’s a CSI about hacking (the only one left, believe it or not) and something called Scorpion which puts hacking at the centre of story development, even though the show seems designed to make tech people seethe with rage at the inaccuracies. Plus whoever made this has a raging Fight Club fetish, with a delusional loner embroiled in terrorist activities as social protest.

To fight the hate-fuelled bile of Trump’s anti-immigration rhetoric, we need an alternative that doesn’t pull its punches when it comes to condemning the Caucasian culture that engendered his political triumphs. In that sense, the bigotry and ignorance (#bignorance) of white characters in Bordertown is more of an antidote than the polite questioning of Trump on news programming, which ensures their ratings cow remains sacred. While partisan liberal news networks like MSNBC can be counter-attacked for projecting ideology, Mark Hentemann and Seth MacFarlane’s politically incorrect comedy cannot, since it extends its satire to the left and Latino culture, rather than cowering from it. The lack of controversy may be because it is little-watched, but it also could be a sign the public accept its truth.

Like its pre-9/11 cinematic predecessor, Mr. Robot may not have a political perspective as much as simply throwing around politically charged words and ideas. That’s fine, as drama shouldn’t be propaganda, but there’s no doubt it captures our ambivalence as a culture about digital whistleblowers. I’m pushing through the first season slowly so excuse me if I’ve already been debunked but hacker Elliot has neither been confirmed as a hero or villain, nor has his direct action yet been given moral deniability for us as an audience. I’m not sure it’s because the writers can’t make their minds up, but rather that we can’t. They may not have predicted the Apple terrorist phone unlocking crisis but they can count on its like in the news.

roboto

Domo arigot!

Not that I want to draw a false equivalence between the two shows. Mr. Robot is a huge departure for USA, who have typically relied on a bunch of slick ricks to fill their original programming vacuum. Bordertown is familiar territory for Fox, who are the leaders in mainstream adult animation (though Adult Swim is snapping at their heels) and will only enhance a pre-existing reputation. But they are united in their contemporaneity, and the ability to deliver that in a style that seems like it’s always been with us. Because it nearly always has. Both programs test the limits of modern-day American culture, straddling its violent past and technological future. But crucially they also know how to appeal to our overriding sense of nostalgia.

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Queen Me

Posted in American TV (General), American TV Shows, Americans watching British TV, Reviews, TV channels, TV Criticism, TV News with tags , , , , , , , , , on December 21, 2015 by Tom Steward

It’s Christmas so TV is all about messages. Though if you know your McLuhan, then you’ll already be aware that TV itself is the message. Far be it from me to buck seasonal television trends, so as this is the final blog post of the year I’ve prepared a Christmas message. As I hail from the land of tea and war (where do you think we got the tea?), the message will be delivered as if it were Queen Elizabeth II’s televised Christmas address to the nation, which all British subjects watch devoutly each year without ever ignoring it completely.

What are all you people doing in our house?

What are all you people doing in our house?

In the House of Commons this November, MPs debated whether to change the symbol of Britain from a lion to a hedgehog or, to put it another way, whether to write off the country by tying its fate to a species with a rapidly declining population. We are reminded of our long-lost children in the colonies who this year lost iconic hosts of late-night on their moving billboards. Like changing a lion for a hedgehog, the replacement may not seem as strong as its predecessor – and more difficult to pick up – but the more they stick out their noses and appear at our doors each night, the more the infants of the new world will grow to love them. We are also reminded of this because a couple of the new hosts look like hedgehogs.

Nocturnal hedgehogs

Nocturnal hedgehogs

If Britain does decide that it’s only economic salvation – following the debacle of a government I could’ve stopped if I had wanted to – is Beatrix Potter brand synergy, then we are reassured by the success of spin-offs in the living room magic lantern shows of the Europe’s emancipated teenager. As hedgehogs to lions, such derivations seemed paltry and incidental creatures yet they possess a unique quality all of their own that has been resting in the shade of bigger animals for so long it comes to light as soon as they shift their lumbering rears from view. Except CSI: Cyber.

There is always the possibility of reinvention – look at us, we’re much more cheery than we used to be – as the recent trend in the wall-mounted viewfinders of Columbus’s Indies for season-long anthology series reminds us. It is difficult to adjust to change – especially if one writes for HitFix – but we should remember that, like that bloody hedgehog we wish we’d never used as a metaphor in the first place, transformation has the potential to preserve a species that would otherwise have died out a lot sooner, or ended up on Hulu. It takes a true detective to see the worth in exchanging a tried-and-tested point of pride for something offbeat and challenging, but we must fargo our trepidations in order to save what we love while it still has a slim chance of survival.

The year of my lord – well he is technically my employer – 2015 was the end of an era, although not for me as we became the longest-reigning British monarch, of which we would like to say on record: ‘suck it, time’! But those less fortunate than us, such as everyone, have had to endure the loss of the many sinful delights that sit within the devil’s hatbox, especially those that hail from the land of not-having-one-of-me-in-charge. We are justified to feel sadness though we would be mad men if we didn’t notice that Parks & Recreation was just shit now.

Lions – for my speechwriter says that you’re simply all too stupid to handle more than one metaphor per message – are lazy and parasitic as well as strong and proud, so it is not with complete regret that we see two and a half of these individually wrapped entertainments make way for an animal that isn’t quite so boring and doesn’t steal from others…like a mentalist! There are those who say it is a scandal that those animals with such a grey anatomy should get away with murder, but here’s the catch. The ecosystem needs every animal – no matter how much it feeds off a rotting carcass – so, however much they induce dread, the lions of this world are just as important to the hedgehogs and, yes, my butler does mix drinks that badly as well.

To play us out, we have the Christmas TV movie carol ‘Edelweiss’ which this year reminds us of a world which my uncle would have been proud of. A very happy Christmas to you all… except those of you who want me to pay taxes.

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