Archive for trevor noah

Queen Me

Posted in American TV (General), American TV Shows, Americans watching British TV, Reviews, TV channels, TV Criticism, TV News with tags , , , , , , , , , on December 21, 2015 by Tom Steward

It’s Christmas so TV is all about messages. Though if you know your McLuhan, then you’ll already be aware that TV itself is the message. Far be it from me to buck seasonal television trends, so as this is the final blog post of the year I’ve prepared a Christmas message. As I hail from the land of tea and war (where do you think we got the tea?), the message will be delivered as if it were Queen Elizabeth II’s televised Christmas address to the nation, which all British subjects watch devoutly each year without ever ignoring it completely.

What are all you people doing in our house?

What are all you people doing in our house?

In the House of Commons this November, MPs debated whether to change the symbol of Britain from a lion to a hedgehog or, to put it another way, whether to write off the country by tying its fate to a species with a rapidly declining population. We are reminded of our long-lost children in the colonies who this year lost iconic hosts of late-night on their moving billboards. Like changing a lion for a hedgehog, the replacement may not seem as strong as its predecessor – and more difficult to pick up – but the more they stick out their noses and appear at our doors each night, the more the infants of the new world will grow to love them. We are also reminded of this because a couple of the new hosts look like hedgehogs.

Nocturnal hedgehogs

Nocturnal hedgehogs

If Britain does decide that it’s only economic salvation – following the debacle of a government I could’ve stopped if I had wanted to – is Beatrix Potter brand synergy, then we are reassured by the success of spin-offs in the living room magic lantern shows of the Europe’s emancipated teenager. As hedgehogs to lions, such derivations seemed paltry and incidental creatures yet they possess a unique quality all of their own that has been resting in the shade of bigger animals for so long it comes to light as soon as they shift their lumbering rears from view. Except CSI: Cyber.

There is always the possibility of reinvention – look at us, we’re much more cheery than we used to be – as the recent trend in the wall-mounted viewfinders of Columbus’s Indies for season-long anthology series reminds us. It is difficult to adjust to change – especially if one writes for HitFix – but we should remember that, like that bloody hedgehog we wish we’d never used as a metaphor in the first place, transformation has the potential to preserve a species that would otherwise have died out a lot sooner, or ended up on Hulu. It takes a true detective to see the worth in exchanging a tried-and-tested point of pride for something offbeat and challenging, but we must fargo our trepidations in order to save what we love while it still has a slim chance of survival.

The year of my lord – well he is technically my employer – 2015 was the end of an era, although not for me as we became the longest-reigning British monarch, of which we would like to say on record: ‘suck it, time’! But those less fortunate than us, such as everyone, have had to endure the loss of the many sinful delights that sit within the devil’s hatbox, especially those that hail from the land of not-having-one-of-me-in-charge. We are justified to feel sadness though we would be mad men if we didn’t notice that Parks & Recreation was just shit now.

Lions – for my speechwriter says that you’re simply all too stupid to handle more than one metaphor per message – are lazy and parasitic as well as strong and proud, so it is not with complete regret that we see two and a half of these individually wrapped entertainments make way for an animal that isn’t quite so boring and doesn’t steal from others…like a mentalist! There are those who say it is a scandal that those animals with such a grey anatomy should get away with murder, but here’s the catch. The ecosystem needs every animal – no matter how much it feeds off a rotting carcass – so, however much they induce dread, the lions of this world are just as important to the hedgehogs and, yes, my butler does mix drinks that badly as well.

To play us out, we have the Christmas TV movie carol ‘Edelweiss’ which this year reminds us of a world which my uncle would have been proud of. A very happy Christmas to you all… except those of you who want me to pay taxes.

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Late Risers

Posted in American TV (General), American TV Shows, TV Culture, TV History, TV News with tags , , , , , , , , , on October 11, 2015 by Tom Steward

Over the summer, two of the most important seats in late-night television were vacated. Unlike last year, when NBC’s The Tonight Show promoted Late Night host Jimmy Fallon and CBS’ The Late Late Show traded like for like – to maintain the quota of British late-night hosts at exactly one – each of the replacements was not the heir apparent. Host of CBS’ Late Show David Letterman was succeeded by Stephen Colbert, who came in from Comedy Central, having been host of The Colbert Report and contributor to The Daily Show, and not long-time Late Late Show host Craig Ferguson, Letterman’s protégé who had, like his mentor, smashed the orthodoxy of the genre. At least Colbert was recognized as a great innovator and radical presence on TV – as well as a nifty enough entertainer – when he was awarded the Late Show crown. Utterly unlike newcomer Trevor Noah, who was bumped several pay grades when he went from Daily Show contributor to taking Jon Stewart’s job as host. In fact, Colbert was the more likely of the two to take over The Daily Show. Former contributor and frequent guest host John Oliver was a shoo-in to take over until HBO made him an offer he couldn’t refuse. After that, the choice was anyone’s guess. But Noah was no-one’s.

That's Colbert baby!

That’s Colbert baby!

Noah and Colbert have wildly different briefs. To emulate Letterman, Colbert is obliged to be as challenging and groundbreaking as possible while Noah is the steward of a culturally necessary ritual, and cannot dismantle its beloved format. As such, Noah might seem to have the harder job. But Colbert’s fluent presentation masks his deft deconstruction of late-night talk formula. He has replaced the monologue with political analyses. Guests tend to be public figures with cultural significance rather than celebrities hawking their wares. It’s a forum for news and current affairs and a showcase for high culture. Fallon’s breakthroughs by contrast have been primarily vaudevillian and even Ferguson’s reinvention of the genre as burlesque slapstick went in the opposite direction to Colbert. It’s not just the fluency with which these changes have been implemented, but also how assured, joyous and endearing Colbert is while doing it. This he may have learnt from Fallon’s head-start, but Colbert pursues it the name of something far more significant. The sad irony is that Colbert is exactly the personality The Daily Show needed to preserve its legacy, while Noah is not. Two weeks in to Noah’s reign and the added value of Jon Stewart’s easy-going charm has finally been calculated in full. A solid comic mind is simply not enough.

Stewart covered a multitude of sins with his asides and interludes of self-mocking, and without them we can see just how little content there is in the average Daily Show news item. Noah has exposed this, but I don’t level the blame at him. It takes a particularly kind of host – a Letterman or Carson, for example – to engage the audience without losing them when holes appear in the format. Noah has his long, pregnant smile, but to the live studio audience and the viewers at home, it reads as a stumble or a stall, even in the strongest segments like his brilliant mash-up of the Trump mythos with that of African dictatorship. Moments like this reassure us that the quality of mock-journalism has not dropped off, but in this case a pair of safe hands will not suffice. We need someone who can convince us they’ve revolutionized The Daily Show when nothing has changed, not a competent caretaker. Conversely, Colbert’s Late Show coup seemed bloodless, yet was a conceptual genocide. Fallon has proved it’s possible to succeed in late-night television by being a vessel for the greatness of others, and indeed Stewart leaned on Oliver and Colbert in exactly that way when they were Daily Show contributors, so Noah cannot be written off yet.

Oh no, they forgot to change the titles!

Oh no, they forgot to change the titles!

The Daily Show and Late Show are probably the two late-night talk formats that matter most culturally – with the possible exception of Neil deGrasse Tyson’s StarTalk. The former is so because it is the closest America has to a reliable news source; the latter because Letterman made it a hotbed of comic artistry in the 90s. But because American TV is an inherently commercial animal, they require a certain kind of salesmanship to help audiences buy into them. Colbert’s hate-resistant persona is the perfect medium while Noah’s workmanlike anonymity may not be, at least not in the long-term. But can Colbert sustain these unimaginable highs?

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